![]() This material may not be published, broadcast, rewritten or redistributed without permission.TIFF is a standard scanned image file format for storing line art and photographs. ![]() We’re still in the middle of it.”įollow AP Film Writer Jake Coyle on Twitter at: Ĭopyright 2023 The Associated Press. “It’s been, what, six years, and I think it’s an incredibly groundbreaking movement. “It feels like every time there’s a news event, it’s like: ‘#MeToo is failing’ or ‘#MeToo is succeeding,’” says Lingo. The filmmakers are hoping to refocus the conversation. “Sorry/Not Sorry,” which is expected to be released next year, arrives after a series of setbacks for the #MeToo movement. “We don’t want to speculate: Why did he do this? Just laying out the facts might be helpful.” “Our intent was to make a film that was very fact-based,” says Suh. Whether comments like these have been enough to constitute atonement is one of the overarching questions of “Sorry/Not Sorry.” You need to check in often, I guess that’s what I’d say. “But if they say yes, you still don’t get to go ‘Woo!’ and charge ahead. “If you want to do it with someone else, you need to ask first,” said C.K. Later in the special, he more specifically addressed the misconduct incidents. “Anybody else get in global amounts of trouble?” he said. In his 2020 self-distributed special “Sincerely Louis C.K,” he began by asking the crowd about their last few years. has returned to stand-up and often performed material about the scandal. And the filmmakers say nearly every prominent comic they reached out to didn’t want to be interviewed.Īt the same time, C.K. isn’t interviewed and didn’t respond to the filmmakers’ requests to comment. Comedian Megan Koester, “Parks and “Recreation” co-creator Michael Schur and Noam Dworman, owner of New York’s Comedy Cellar, also appear in the film.īut it’s also notable who isn’t in the film. There are several notable people from the comedy world interviewed in the film, including comedian Jen Kirkman, who first alluded to some of C.K.’s behavior in a podcast in 2015. “What happens when a woman says the truth? What happens to her?” And those perspectives are really of the women who came forth,” says producer Kathleen Lingo. “There were questions to be asked and perspectives to be brought forth. didn’t ask permission before masturbating while talking to her on the phone in 2003, speaks about her fears of being publicly defined by the scandal. Some struggled to find success in comedy afterward or were heckled online by his supporters. The filmmakers especially wanted to detail the experience of the women who went public with their encounters with C.K. “There are a lot of questions to explore.” That felt unusual among all the stories that were starting to come out,” says Mones. “This lived in a gray area for so many people. and that was a good reason to make the film. To Mones, it appeared that many people seemed hesitant to talk about the thorny issues of consent and power when it came to C.K. The comic, who acknowledged “these stories are true” in his 2017 apology, won a Grammy for best comedy album last year and in January sold out Madison Square Garden. “Sorry/Not Sorry,” which was acquired by Greenwich Entertainment for distribution after its TIFF premiere, reexamines the scandal and its aftermath, particularly in light of C.K.’s thriving comeback. “Honestly, my first reaction was: Is it that bad?” Suh recalls. and she didn’t immediately register the allegations against the comedian as damning - especially in comparison to other #MeToo cases like Harvey Weinstein and Bill Cosby. Suh, herself, was a big fan of Louis C.K. “In the early years, the advice I was given was: Don’t make this movie,” says Suh, who directed the Barack Obama-narrated docuseries “Working: What We Do All Day.” “Sorry/Not Sorry,” directed by Caroline Suh and Cara Mones and produced by the Times, examines the allegations, the fallout for those who came forward and C.K.’s comeback in comedy. Now, a new documentary premiering in Toronto, where C.K.’s downfall began, is delving into one of most debated #MeToo cases. ![]() masturbated in front of female stand-up colleagues. After years of rumors, a New York Times article in November that year detailed the allegations of several women who described incidents in which C.K. The movie sold at TIFF for $5 million, but before it could reach theaters, its premiere was canceled and its release scuttled. came to the Toronto International Film Festival six years ago with the hotly anticipated “I Love You, Daddy,” just as allegations of sexual misconduct against the comedian were gaining new prominence.
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